Find a spectrum with a glass prism

Use a matte white surface and a small beam of suitable light. Turn the prism gradually and track where the bright patch becomes a visible band.

Turn a prism slowly across a narrow ordinary beam and use matte card to catch the result. Put the observations into order and keep the raw measurements or drawings. A result can be useful at more than one level. The direction of a change may be unmistakable while the exact size is uncertain. Describe the strongest pattern the records support and qualify measurements that depend on a faint boundary or a moving object.

The visible band can move to one side as the prism angle changes. Decide how to mark an observation when two readings fall too close together to separate. Even spacing on a sheet is useful only to the extent you can see where a feature crosses each line. A visible range can carry more meaning than a single estimated digit that your instrument cannot resolve.

Move the screen farther away while holding the prism position steady. Record whether the band spreads and becomes harder to see.

Other light falling on the screen can make the colour boundaries difficult to see. Observe the setup from the same place in each trial. A view from farther away can hide a shallow curve or make two positions look aligned. A short guide mark shows the place you used. Keep the recording method fixed as well when changing the setup itself is the point of the comparison.

Shade the screen without blocking the incident light and keep direct sun out of the setup. Repeat a simple comparison and keep the starting conditions as similar as the setup allows. Where a ruler, timer, or camera is involved, read it in the same way each time. A handful of consistent observations is easier to interpret than a long list collected under changing conditions.

Note the locations of the outer colours without forcing exact boundaries between them. If the results vary, look for a second feature that moved along with the one you meant to change. That can be the distance to an observer, the angle of a support or the way the material moves between runs. Isolate it in a small follow-up trial when possible.

Write a row for each run and keep apparently odd results in the record. Mark things that went wrong, such as a shifted surface, uneven starting point or missed time, before judging the pattern. Changing how you record the behaviour halfway through can make two otherwise similar trials difficult to compare. Explain the outcome in a sentence that a reader can check against the figures or sketch. Use a second sentence for a proposed cause. If you can imagine a different cause that fits the same observations, describe a small test that would help distinguish the two. Comparing those predictions can make a follow-up clearer than simply repeating the same demonstration. Bring the screen closer for a second view before adjusting the prism. A faint band can be difficult to distinguish from light scattered around the room. Sketch your apparatus before you start and use the sketch to identify where each observation will be made. Write down the starting state before changing it. If another person repeats the trial, knowing the relative positions can matter more than the brand or appearance of the materials.

Sketch the order in which the colours are visible at two screen positions. Make a simple model of what you believe happens between the starting and final positions. Then check one point at which that model gives a visible consequence. A single carefully observed intermediate position can be more revealing than comparing two widely separated endpoints with an unknown change between them.